This increase of output showed up mostly in the
growing creation of mixtapes, or collections of songs that are given out for
free to promote an artist or to simply satisfy a desire for music from the
artist’s fans. Since these tapes are
free, artists are able to legally use instrumentals from other artists to make
their own version of the song, or a remix; another form of hip-hop music that flourished
with the growth of these blogs. These
methods of music creation were essential to artists of all levels, both to gain
new fans and to stay relevant to fans already acquired.
In addition to the growing desire for music
consumption, and the expansion of tastes of an ever-increasing audience, these
blogs also were helpful to the music industry because of the loyalty they
created between fan and artist.
Previously, artists were hardly more than an idol who every few years
put a new album on shelves, came to nearby cities to do a concert, or made talk
show appearances. As blogs became
popular and their usefulness realized, the gap between superstar musician and civilian
music consumer was narrowed, creating a relationship beyond an admiration for
music. As more and more music gets
shared, a deeper understanding and familiarity for the artist’s style and
talent leads to a certain loyalty to the artist, and “a base of loyal fans
means having a core group of customers who are nearly guaranteed to buy your
new CD or show up for your live performance” (Lathrop 1999). In some cases, following an artist as they
increase in fame to superstardom can bring on a sense of almost parental pride,
stemming from seeing their success and being a fan since the beginning. As artists released more music to more people
visiting these blog and discovery websites, more loyalty was formed and thus
more money was put back into the music industry.
Quite possibly the biggest benefactors of these
sites were undiscovered aspiring artists who now had a massive audience to
release their music to. Formerly
confined to playing small, local shows and building an audience incredibly
slowly, one very popular track shared on a blog could quadruple a band’s or
artist’s fan base in a week. This sudden
popularity and exposure is vital to getting the attention of record labels, which
are “less likely to audition unsolicited tapes or to take a chance on an
untested artist. Established companies
are looking for artists who have already proven themselves in the marketplace”
(Lathrop 1999).
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